THE WALKING MONKS: DISCIPLINE, PEACE, AND THE ART OF MOVEMENT

In a world that never stops moving, there are those rare moments that remind us that stillness and motion are…
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In a world that never stops moving, there are those rare moments that remind us that stillness and motion are not opposites — they are choices. This week, in the heart of Harlem, I witnessed such a moment. I watched the walking monks online.

They walked not as a spectacle, not for attention, and not for applause. They walked with intention, each footfall deliberate, each breath measured, each step a prayer. In a city defined by urgency and velocity, their quiet procession was a striking counterpoint: an insistence that peace, like art, must be cultivated, practiced, and embodied.

Walking meditation, or kinhin as it is known in Zen traditions, has existed for centuries. For monks, the act of walking is far more than a form of exercise or travel. It is a spiritual practice. In the quiet repetition of each step, one aligns body, mind, and spirit. As Thich Nhat Hanh, the Vietnamese Buddhist monk and peace activist, has said, “Walk as if you are kissing the Earth with your feet.” The monks in Harlem carry this same discipline into the streets, transforming ordinary sidewalks into sacred space.

Historically, walking has been a central practice in many monastic traditions. In Japan, Chinese Chan monasteries, and Tibetan Buddhist communities, walking meditation balances seated meditation and daily chores. It trains patience, fosters awareness, and strengthens a connection to the world while maintaining detachment from distractions. In the United States, walking monks have been seen as spiritual ambassadors, bridging the contemplative traditions of Asia with the lived realities of urban spaces.

One of the monks explained it simply: “Our walk is our prayer. Our presence is our teaching. When we walk, we practice peace — and it is contagious. It spreads by example.” That idea — that peace can be transmitted through the simple act of moving with awareness — resonates deeply in a city where pace and pressure often define success.

As we prepare for the Road to the Apollo — bringing artists to campuses, communities, and cultural institutions — the example of these monks is both a guide and a challenge. How do we carry intention in every performance? How do we embed discipline into our craft while remaining connected to our audiences? How do we walk through our own lives with purpose, visible or unseen?

For the luxury traveler, for those who seek experiences that merge culture, spirituality, and artistry, these moments are rare and revelatory. To observe the walking monks is to witness a harmony of motion and stillness, a reminder that mindfulness is not limited to quiet rooms or retreat centers. It can exist on the streets of Harlem, in the rhythm of a city, and in the disciplined steps of those who choose to embody peace.

In a photograph by Stuart, the monks’ shadows stretch across the sidewalk, elongated and deliberate, echoing the very cadence of the city around them yet untouched by its noise. There is elegance in their simplicity, luxury in their restraint, and power in their quiet authority.

As you walk the streets of Harlem, or any city with intention, notice how movement shapes presence. The walking monks offer more than a lesson in discipline; they offer a blueprint for living with purpose. For those traveling not just to see, but to experience, the intersection of culture, spirituality, and movement offers a moment of reflection — a pause in a world that rarely stops.

In their steps, one finds a meditation, a discipline, and an art form. And perhaps most importantly, one finds a reminder: the journey is as sacred as the destination.

Photo: Stuart Dance
IG: @ApertureAndAtlas | @StuartDance

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“Our walk is our prayer. Our presence is our teaching. When we walk, we practice peace — and it is contagious. It spreads by example.”

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Jarvus Ricardo Hester

JARVUSHESTER

Jarvus Ricardo Hester Founder, Artistic Director, Editor-in-Chief, and Cultural Storyteller Jarvus Ricardo Hester is an opera singer, arts administrator, media executive, and entrepreneur dedicated to making the arts more accessible while preserving and amplifying the stories that shape communities. He is the Founder and Artistic Director of Harlem Collective Opera, Harlem Boys Choir, and the Harlem Chamber Orchestra, organizations committed to expanding access to classical music through innovative performances, educational initiatives, and community engagement. As Editor-in-Chief of Mood Magazine NYC and the founder of the Mood Media Network, Hester oversees a growing multimedia ecosystem that includes WHRL Mood Radio Harlem, The Morning Show NYC, After Hours NYC, and Mood TV. Through these platforms, he curates stories that explore culture, travel, wellness, food, literature, business, and the arts from Harlem to communities around the world. An alumnus of the University of North Carolina School of the Arts, Hester has performed with professional opera companies and has dedicated his career to reimagining how audiences experience classical music. His work consistently bridges the worlds of performance, journalism, tourism, education, and community development. His signature initiative, The Black Composer Project, celebrates the contributions of Black classical composers through immersive concert experiences that combine music, storytelling, and historical exploration. Whether through a live performance, a magazine feature, a radio broadcast, or a community partnership, Hester's work is guided by a simple philosophy: Stories create connections. Art builds communities. Culture preserves legacy. Harlem to the world. Be a part of the story.
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