Skepta’s ‘The Fork and Knife’ Is About More Than the Next Big Album

After a seven-year gap, Skepta returns with a 15-track album shaped by British-Nigerian identity, family and a more personal idea of success.
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Seven years is a long time between solo albums. Long enough for the world to change, for an artist to change with it, and for the meaning of success to look a little different when the spotlight comes back around.

Skepta in an editorial photograph used in Complex music coverage.

On November 6, 2026, Skepta released The Fork and Knife, his first full-length solo album since 2019’s Ignorance Is Bliss. The 15-track project arrives through Big Smoke and Epic Records, with a guest list that moves across British rap, grime, R&B and electronic music.

A table full of collaborators

The album features Central Cee, Jorja Smith, Novelist, Finessekid, Fred again.. and PlaqueBoyMax. Its nine-minute track “Belly” brings together Skepta with JME, Frisco, Kibo, Queenie, Bossman Birdie, Mayhem NODB and Kruz Leone. It is a broad cast, but the record’s center of gravity is personal.

In an interview with Complex UK, Skepta described the album as a reflection on being British as the son of Nigerian immigrants and living between two cultures. The release notes frame diaspora not as a split identity, but as a source of strength. That idea gives the album its title a little extra weight: a fork and knife can suggest a formal dinner, but the most revealing meal in his story is the one that feels like home.

Skepta in Complex coverage of the release of The Fork and Knife.
Skepta at a London dinner celebrating his upcoming album The Fork and Knife on September 17, 2026.

What success looks like after you get there

Skepta recalled a moment at the GQ Awards when his mother saw the elaborate food served at the event and asked whether he knew what it was. His answer, he said, was yes—this was the kind of thing the family once imagined as success. But the memory also revealed the distance between the symbols of achievement and what people actually value.

He told Complex that the album represents the irony that his mother does not want fancy dinners; she wants ground rice and stew. He also spoke about buying his parents a house in Lagos. The anecdote is warm, funny and more revealing than a standard victory lap. It turns the album’s title into a question about aspiration: what are we working toward, and who gets to decide when we have enough?

Skepta in Complex editorial coverage announcing The Fork and Knife.
Skepta in Complex editorial coverage announcing The Fork and Knife album release.

Grime, family and a wider frame

The record follows a seven-year gap since Ignorance Is Bliss, but it is not a farewell. Skepta told Complex he may take breaks when he needs to rest his mind, but does not expect to retire from music. That distinction matters. The new album is not presented as a final statement; it is a return with a different perspective on the work and the life around it.

The release is accompanied by sold-out performances in London, Paris, Brussels and Amsterdam. For listeners outside the UK, the album also offers a portrait of an artist whose sound has traveled widely while his questions remain rooted in family, identity and the place he calls home.

QUESTION OF THE DAY

When you reach a goal you once dreamed about, how do you know whether it is still what you want?

STAY IN THE MOOD

Sometimes the biggest flex is not the room you get invited into. It is remembering who you are, who fed you, and what still tastes like home.

Live Your Mood.

Reporting note: Release date, track count, collaborators and Skepta’s comments are drawn from Complex’s November 6, 2026 reporting and the album release information. The photograph is credited by Complex to Press/Jordan Hemingway.

Complex — Skepta Ends Seven-Year Album Wait With ‘The Fork and Knife’ · Listen to the album

Jarvus Ricardo Hester

JARVUSHESTER

Jarvus Ricardo Hester Founder, Artistic Director, Editor-in-Chief, and Cultural Storyteller Jarvus Ricardo Hester is an opera singer, arts administrator, media executive, and entrepreneur dedicated to making the arts more accessible while preserving and amplifying the stories that shape communities. He is the Founder and Artistic Director of Harlem Collective Opera, Harlem Boys Choir, and the Harlem Chamber Orchestra, organizations committed to expanding access to classical music through innovative performances, educational initiatives, and community engagement. As Editor-in-Chief of Mood Magazine NYC and the founder of the Mood Media Network, Hester oversees a growing multimedia ecosystem that includes WHRL Mood Radio Harlem, The Morning Show NYC, After Hours NYC, and Mood TV. Through these platforms, he curates stories that explore culture, travel, wellness, food, literature, business, and the arts from Harlem to communities around the world. An alumnus of the University of North Carolina School of the Arts, Hester has performed with professional opera companies and has dedicated his career to reimagining how audiences experience classical music. His work consistently bridges the worlds of performance, journalism, tourism, education, and community development. His signature initiative, The Black Composer Project, celebrates the contributions of Black classical composers through immersive concert experiences that combine music, storytelling, and historical exploration. Whether through a live performance, a magazine feature, a radio broadcast, or a community partnership, Hester's work is guided by a simple philosophy: Stories create connections. Art builds communities. Culture preserves legacy. Harlem to the world. Be a part of the story.

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