”The City That Still Believes”

How Three Black-Led Cities Are Thriving in the Face of Everything By Zuri Blake Photography Direction by Jarvus Ricardo Hester…
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How Three Black-Led Cities Are Thriving in the Face of Everything

By Zuri Blake

Photography Direction by Jarvus Ricardo Hester

In a country that often confuses struggle with failure, three cities remind us that belief is a form of resistance.

East St. Louis, Illinois.

Glenarden, Maryland.

Mound Bayou, Mississippi.

Each one predominantly Black.

Each one led by Black mayors, Black school superintendents, Black business owners, Black families.

Each one facing poverty rates that would make national headlines — if anyone bothered to look.

And yet, in all three cities, high school graduation rates hover close to 100%.

These are not places where people give up.

They are places where people show up.

For each other. For their children. For the future.

EAST ST. LOUIS, ILLINOIS

Where Legacy Defies the Narrative

Once labeled one of the most dangerous cities in America, East St. Louis has long been defined by what it has lost — industry, investment, visibility. But what it hasn’t lost is itself.

Generations of educators, elders, and organizers have built an internal infrastructure of resilience. In classrooms across the city, teachers not only instruct — they parent, pastor, protect. Graduation isn’t treated as a miracle. It’s expected.

Here, legacy is a currency. Grandparents speak with pride about walking across the same stage their grandchildren now do. This is a city that remembers, a city that insists on being more than a footnote.

GLENARDEN, MARYLAND

Black Wealth, Black Policy, Black Power

Just outside Washington, D.C., Glenarden is a jewel — a small, incorporated city that reflects what happens when Black governance is backed by Black strategy.

With one of the highest median incomes of any Black-majority city in the nation, Glenarden invests deeply in youth programs, education, and public infrastructure. It’s not just about representation. It’s about results.

Graduation rates reflect a pipeline that begins early — with well-funded elementary schools, community mentors, and engaged leadership. In Glenarden, Black excellence is not aspirational. It’s operational.

MOUND BAYOU, MISSISSIPPI

The Town That Freedom Built

Founded in 1887 by formerly enslaved people, Mound Bayou is not a symbol — it’s a statement. It was built on Black autonomy, and it remains one of the most historically significant Black municipalities in America.

Though small in population and high in poverty, its school system consistently graduates nearly all of its students. How? Through a culture of dignity and self-reliance passed down like scripture.

There is no Starbucks here. No Target. But there are stories — of survival, of sovereignty, of vision that stretches further than any census.

Mound Bayou is not just a Black town. It is the Black town.

A DIFFERENT KIND OF DATA

In these cities, belief isn’t abstract — it’s logistical. It’s in the way educators stay late. In the way mayors attend choir rehearsals. In the way students walk through metal detectors and still find poetry in algebra.

Yes, the poverty is real. But so is the policy. So is the community. So is the love.

If you want to understand the future of Black America, don’t just look at the tech hubs or the metropolises. Look at the cities that still believe — and build in spite of it all.

Zuri Blake is a writer and economic justice columnist for Mood Magazine NYC, specializing in stories that explore the intersections of culture, policy, and Black financial futures. She believes that numbers tell a story — but people make it sing.

Jarvus Ricardo Hester

JARVUSHESTER

Jarvus Ricardo Hester Founder, Artistic Director, Editor-in-Chief, and Cultural Storyteller Jarvus Ricardo Hester is an opera singer, arts administrator, media executive, and entrepreneur dedicated to making the arts more accessible while preserving and amplifying the stories that shape communities. He is the Founder and Artistic Director of Harlem Collective Opera, Harlem Boys Choir, and the Harlem Chamber Orchestra, organizations committed to expanding access to classical music through innovative performances, educational initiatives, and community engagement. As Editor-in-Chief of Mood Magazine NYC and the founder of the Mood Media Network, Hester oversees a growing multimedia ecosystem that includes WHRL Mood Radio Harlem, The Morning Show NYC, After Hours NYC, and Mood TV. Through these platforms, he curates stories that explore culture, travel, wellness, food, literature, business, and the arts from Harlem to communities around the world. An alumnus of the University of North Carolina School of the Arts, Hester has performed with professional opera companies and has dedicated his career to reimagining how audiences experience classical music. His work consistently bridges the worlds of performance, journalism, tourism, education, and community development. His signature initiative, The Black Composer Project, celebrates the contributions of Black classical composers through immersive concert experiences that combine music, storytelling, and historical exploration. Whether through a live performance, a magazine feature, a radio broadcast, or a community partnership, Hester's work is guided by a simple philosophy: Stories create connections. Art builds communities. Culture preserves legacy. Harlem to the world. Be a part of the story.
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