”Pyramids? They Think Aliens Did This?

Pyramids? They Think Aliens Did This? By Jarvus Ricardo Hester for Mood Magazine Let’s be real. They’ll believe anything before…
1 Min Read 0 267

Pyramids? They Think Aliens Did This?

By Jarvus Ricardo Hester for Mood Magazine

Let’s be real. They’ll believe anything before they believe Black people built the pyramids.

They’ll believe in aliens.

They’ll believe in ancient lost civilizations.

They’ll believe in anything except the truth—because the truth says: Africans did it.

We did it.

And it’s not just in the bones of history.

It’s in the Word of God.

Eden Was in Africa

“The name of the second river is the Gihon; it winds through the entire land of Cush…”

—Genesis 2:13

Cush is Ethiopia. That means the Garden of Eden—the literal origin of humanity—was in Africa.

So when Genesis 2:7 says “God formed man from the dust of the ground,” that dust was African soil.

Adam and Eve were not white.

They were created in the image of God—and that image was formed in the soil of Black land.

God is not European.

God is not blond and blue-eyed.

If the first humans were African, and they bore the image of God…

Then God is Black.

Let that settle in your bones.

Jesus Hid in Africa

“Take the child and his mother and escape to Egypt…”

—Matthew 2:13

Jesus didn’t find safety in Europe.

He hid in Africa—among African people who looked like him.

If Jesus had been pale and European, He couldn’t have blended in.

Even the Messiah needed a Black land to shield His light.

We Built the Pyramids

No aliens. No magic.

Just ancient African brilliance—mathematically precise, spiritually aligned, engineered by Black genius with astronomical understanding and divine reverence.

But they couldn’t handle that.

Because if Black people built the pyramids, then:

– Africa is not a continent of poverty—it’s the blueprint

– Black people are not cursed—we are anointed

– And our legacy isn’t slavery—it’s civilization

So they tell wild stories.

They cast white Pharaohs in Hollywood.

They redraw maps to strip Egypt of its African identity.

But we know.

We remember.

They Broke the Nose

And if you still doubt who the pyramids were built by…

Look at the Sphinx.

That nose didn’t fall off by accident.

Historical sketches of the Sphinx—before the damage—show clear African features:

broad lips, full nose, unmistakably Black.

So what did they do?

They shot it off.

They chiseled it off.

Because that nose looked too much like our nose.

Because even in limestone, Blackness is too powerful to leave untouched.

They didn’t want the world to see our greatness in stone.

So they tried to erase our face.

But they couldn’t erase the truth.

We are still here.

We are still the blueprint.

We are still the ones who built.

“You can break the nose. But you can’t break the origin.”

Solomon and Sheba: Royal Bloodlines Run Black

Jesus came from the house of David (Matthew 1:1).

David’s son was Solomon, the wisest king in Israel’s history.

Solomon met the Queen of Sheba, who came bearing questions, gifts, and glory.

According to Ethiopian tradition, she returned home with his child:

Menelik I, first emperor of Ethiopia.

That means Jesus’ royal line may have carried African blood.

And Solomon’s lover—speaking in Song of Songs 1:5—declares plainly:

“I am Black and beautiful, O daughters of Jerusalem…”

It’s in the Bible.

It’s in the blood.

It’s in us.

We Built America Too

You want to talk about greatness?

Let’s talk about now.

We didn’t just build pyramids.

We built America.

We were stolen from Africa and forced into labor, but even in chains, we created:

– Culture

– Music

– Agriculture

– Architecture

– Soul

– Power

We laid the bricks.

We cooked the meals.

We nursed the babies.

We picked the cotton.

We shaped the rhythm of this nation—and the world.

So when you hear “Make America Great Again,” ask:

When was it great?

And who made it great?

We did.

If you really want to make America great again?

Put Barack Obama back in office.

(Kidding… but not really.)

Or better yet—put truth in power.

Put Blackness back in the center.

Put honor on the ancestors who built both pyramids and plantations.

We come from Eden.

We built Egypt.

We survived the Middle Passage.

And we birthed a culture so rich it can’t be contained.

So no, aliens didn’t build the pyramids.

We did.

Say it loud.

Say it with your chest.

Say it in the pulpit, the classroom, the boardroom, and the studio.

We are not a mystery.

We are the origin.

Jarvus Ricardo Hester

JARVUSHESTER

Jarvus Ricardo Hester Founder, Artistic Director, Editor-in-Chief, and Cultural Storyteller Jarvus Ricardo Hester is an opera singer, arts administrator, media executive, and entrepreneur dedicated to making the arts more accessible while preserving and amplifying the stories that shape communities. He is the Founder and Artistic Director of Harlem Collective Opera, Harlem Boys Choir, and the Harlem Chamber Orchestra, organizations committed to expanding access to classical music through innovative performances, educational initiatives, and community engagement. As Editor-in-Chief of Mood Magazine NYC and the founder of the Mood Media Network, Hester oversees a growing multimedia ecosystem that includes WHRL Mood Radio Harlem, The Morning Show NYC, After Hours NYC, and Mood TV. Through these platforms, he curates stories that explore culture, travel, wellness, food, literature, business, and the arts from Harlem to communities around the world. An alumnus of the University of North Carolina School of the Arts, Hester has performed with professional opera companies and has dedicated his career to reimagining how audiences experience classical music. His work consistently bridges the worlds of performance, journalism, tourism, education, and community development. His signature initiative, The Black Composer Project, celebrates the contributions of Black classical composers through immersive concert experiences that combine music, storytelling, and historical exploration. Whether through a live performance, a magazine feature, a radio broadcast, or a community partnership, Hester's work is guided by a simple philosophy: Stories create connections. Art builds communities. Culture preserves legacy. Harlem to the world. Be a part of the story.
Verified by MonsterInsights