The Afro-Latino Renaissance

What Colombia Can Teach Us About Culture, Community, and the Black Diaspora By Jarvus Ricardo Hester Whenever a tragedy happens…
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What Colombia Can Teach Us About Culture, Community, and the Black Diaspora

By Jarvus Ricardo Hester

Whenever a tragedy happens somewhere in the world, the headlines usually follow the same pattern.

The numbers arrive first.

The death toll.

The economic impact.

The infrastructure damage.

And while those details matter, they can unintentionally reduce an entire nation to a single moment of crisis.

Colombia deserves a more complete story.

Especially because one of the most fascinating cultural movements in the Americas has been unfolding there for decades.

Along Colombia’s Pacific coast lives one of the largest Afro-descendant populations in the Western Hemisphere. Cities such as Cali, Buenaventura, and Quibdó have become powerful centers of music, art, literature, cuisine, dance, and social activism.

And if you spend enough time in New York, you’ll eventually realize something remarkable.

The distance between Harlem and Colombia isn’t nearly as great as a map might suggest.

The Diaspora Has Never Recognized Borders

Black culture has always traveled.

Sometimes by force.

Sometimes through migration.

Sometimes through music.

But it has always moved.

Listen carefully to the rhythm of salsa.

You’ll hear Africa.

Listen to jazz.

You’ll hear Africa.

Listen to gospel.

Listen to cumbia.

Listen to Afrobeat.

Listen to hip-hop.

You’ll hear different languages.

Different instruments.

Different histories.

But beneath them all, you’ll hear familiar conversations.

Resistance.

Celebration.

Faith.

Love.

Community.

Joy.

And survival.

The African diaspora has never been a single story.

It’s a collection of stories learning how to speak to one another.

Cali Is More Than Salsa

When most people think about Cali, they think about dance.

And they should.

Cali’s reputation as one of the world’s great salsa capitals is well deserved.

But dance is only one chapter.

The city’s cultural identity has been shaped by generations of Afro-Colombian artists, musicians, educators, and entrepreneurs who have transformed it into one of South America’s most dynamic cultural landscapes.

Art galleries.

Music festivals.

Literary movements.

Independent fashion.

Community organizing.

Creative industries.

Sound familiar?

It should.

Because those same ingredients have shaped Harlem for generations.

Black New York and Afro-Colombia Share More Than We Realize

Walk through Harlem.

Visit Washington Heights.

Spend time in the Bronx.

You’ll quickly discover that New York’s Black identity has never been monolithic.

African American.

Caribbean.

African.

Afro-Latino.

Multiple histories.

Multiple traditions.

One constantly evolving cultural conversation.

And perhaps that’s why Afro-Colombian culture resonates so strongly in New York.

We’re already accustomed to cultural exchange.

We understand fusion.

We understand what happens when different traditions occupy the same block.

Food changes.

Language changes.

Music changes.

Art changes.

Communities reinvent themselves.

And something entirely new emerges.

Food Is Always the First Ambassador

If you want to understand a culture, start with the food.

Every time.

On Colombia’s Pacific coast, coconut, seafood, plantains, rice, herbs, and African culinary traditions create an entirely different dining experience from what many visitors expect.

Recipes become archives.

Ingredients become history.

Meals become storytelling.

And suddenly, geography disappears.

Because if you’ve grown up in a Black household anywhere in the diaspora, certain things begin to feel familiar.

A grandmother insisting you eat more.

Music playing in the background.

Someone arriving unexpectedly and somehow finding a place at the table.

Hospitality.

Abundance.

Community.

Different countries.

Different recipes.

The same spirit.

Solidarity Requires More Than Sympathy

This is where the conversation becomes important.

Moments of crisis often inspire sympathy.

And sympathy matters.

But solidarity asks more of us.

It asks us to learn.

To listen.

To understand.

To build relationships that continue long after the headlines disappear.

Because cultural exchange shouldn’t be activated only by tragedy.

It should be ongoing.

Artists collaborating across borders.

Students learning from one another.

Entrepreneurs creating new partnerships.

Communities sharing resources.

Musicians performing together.

Writers telling stories together.

The diaspora is strongest when it remembers that it is connected.

Perhaps the Future Is Collaborative

For years, we’ve talked about globalization as an economic phenomenon.

Trade.

Commerce.

Technology.

Capital.

But culture may be globalization’s most powerful force.

The music of Cali influencing Harlem.

The literature of Bogotá inspiring Brooklyn.

Afro-Colombian visual artists collaborating with New York creatives.

Chefs exchanging recipes.

Filmmakers sharing stories.

New friendships creating new possibilities.

Because identity isn’t static.

It’s constantly expanding.

And perhaps the most beautiful thing about the African diaspora is that it never stops introducing us to ourselves.

Today’s Mood Assignment

Learn one new thing about a culture connected to your own.

Listen to an artist you’ve never heard before.

Try a different restaurant.

Read a different writer.

Take a dance class.

Start a conversation.

Expand your map.

Because community isn’t built through proximity.

It’s built through curiosity.

And curiosity has always been one of the most sophisticated forms of love.

Stay in the Mood

The story doesn’t end here.

Continue exploring Mood Magazine NYC, where culture, travel, identity, and community come together to tell the stories connecting Harlem to the world.

Listen to WHRL Mood Radio Harlem and continue the conversation on The Morning Show NYC and After Hours NYC.

Listen. Read. Experience.

Let us curate your mood.

Mood Magazine NYC

Mind. Body. Spirit. Culture.

Harlem to the World.

Jarvus Ricardo Hester

JARVUSHESTER

Jarvus Ricardo Hester Founder, Artistic Director, Editor-in-Chief, and Cultural Storyteller Jarvus Ricardo Hester is an opera singer, arts administrator, media executive, and entrepreneur dedicated to making the arts more accessible while preserving and amplifying the stories that shape communities. He is the Founder and Artistic Director of Harlem Collective Opera, Harlem Boys Choir, and the Harlem Chamber Orchestra, organizations committed to expanding access to classical music through innovative performances, educational initiatives, and community engagement. As Editor-in-Chief of Mood Magazine NYC and the founder of the Mood Media Network, Hester oversees a growing multimedia ecosystem that includes WHRL Mood Radio Harlem, The Morning Show NYC, After Hours NYC, and Mood TV. Through these platforms, he curates stories that explore culture, travel, wellness, food, literature, business, and the arts from Harlem to communities around the world. An alumnus of the University of North Carolina School of the Arts, Hester has performed with professional opera companies and has dedicated his career to reimagining how audiences experience classical music. His work consistently bridges the worlds of performance, journalism, tourism, education, and community development. His signature initiative, The Black Composer Project, celebrates the contributions of Black classical composers through immersive concert experiences that combine music, storytelling, and historical exploration. Whether through a live performance, a magazine feature, a radio broadcast, or a community partnership, Hester's work is guided by a simple philosophy: Stories create connections. Art builds communities. Culture preserves legacy. Harlem to the world. Be a part of the story.
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